 This week Joe and Zane are found by writer/director Scott Schirmer. The guys discuss Scott’s films including Joe’s personal favorite “Found”, Zane’s favorite “Plank Face”, “Headless”, “Harvest Lake” and the forthcoming “The Bad Man”. Scott reveals the source for the film “Found” which was actually a self published novel he stumbled upon written […]
A documentary crew decide to film their film in 3D but encounter far more than they bargained for in the genre-bending horror indie called Found Footage 3D. For the first issue of Gruesome Magazine, writer Mike Imboden sat down with director Steven Degennaro to discuss what went into making this 3D found footage indie favorite. […]
One of the zaniest films the Grue-Crew encountered in the past months has been the violent revenge flick called Plank Face. For the first issue of Gruesome Magazine, writer Kieran Fisher sat down with director Scott Schirmer to discuss what went into making this bloody indie favorite. Check out GRUESOME MAGAZINE SPRING 2017 edition of […]
One of the most underrated films the Grue-Crew encountered in the past months has been the shocking, surprising bloody thriller called DRY BLOOD. For the first issue of Gruesome Magazine, writer Thomas Mariani sat down with actor/writer Clint Carney to discuss what went into making this must-see classic. Check out GRUESOME MAGAZINE SPRING 2017 edition […]
One of the more intriguing films the Grue-Crew encountered in the past months has been the Twilight-Zone-inspired sci-fi/horror/thriller called THE SIMILARS. For the first issue of Gruesome Magazine, writer Joseph Perry sat down with director Isaac Ezban to discuss what went into making this unique film. Check out GRUESOME MAGAZINE SPRING 2017 edition of the […]
Horror Festival Hits – Independent Films – The Future of Horror Available now in digital format and coming soon via Print on Demand, the Grue-Crew are proud to present the very first edition of Gruesome Magazine. The quarterly magazine will focus on independent horror films, horror film festivals, and the future of horror. The digital […]