Joseph Perry fell in love with horror films as a preschooler when he first saw the Gill-Man swim across the TV screen in "The Creature from The Black Lagoon" and Mothra battle Godzilla in "Godzilla Vs. The Thing.” His education in fright fare continued with TV series such as "The Twilight Zone" and "Outer Limits," along with legendary northern California horror host Bob Wilkins’ "Creature Features." His love for silver age and golden age comic books, including horror titles from Gold Key, Dell, and Marvel started around age 5. He is a contributing writer for Gruesome Magazine, "Phantom of the Movies VideoScope" magazine, "Diabolique" magazine, and the websites That's Not Current, Ghastly Grinning, The Scariest Things, and When It Was Cool. He is a co-host of the "Decades of Horror: The Classic Era" and "Uphill Both Ways" podcasts. Joseph has also written for “Scream” magazine, "Filmfax" magazine, “SQ Horror” magazine, and HorrorNews.net. He occasionally proudly co-writes articles with his son Cohen Perry, who is a film critic in his own right. A former northern Californian and Oregonian, Joseph has been teaching, writing, and living in South Korea since 2008.
The first time I watched the troubling Canadian short horror film Heir, I knew nothing about it going in except that it starred renowned independent horror film actor Bill Oberst Jr. Less than 14 minutes later when the short finished, I was so thoroughly impressed that I instantly researched more about director Richard Powell and […]
Since Peter Jackson’s early films, along with efforts from other filmmakers such as those behind Black Sheep (2006), New Zealand has had a solid track record with producing horror comedies that worked in both aspects of this subgenre, which is not an easy feat. The past year or so has seen releases that pleased both […]
Not to be confused with the Albert Camus novel of the same name — although it could be argued that there is a peppering of existentialism on display at times here amongst the nihilism — debuting director Guillermo Amodoe’s Chilean effort The Stranger offers up a fair share of moody brooding. The titular character, also […]