Joseph Perry fell in love with horror films as a preschooler when he first saw the Gill-Man swim across the TV screen in "The Creature from The Black Lagoon" and Mothra battle Godzilla in "Godzilla Vs. The Thing.” His education in fright fare continued with TV series such as "The Twilight Zone" and "Outer Limits," along with legendary northern California horror host Bob Wilkins’ "Creature Features." His love for silver age and golden age comic books, including horror titles from Gold Key, Dell, and Marvel started around age 5. He is a contributing writer for "Phantom of the Movies VideoScope" print magazine and the websites Gruesome Magazine, Diabolique Magazine, Ghastly Grinning, The Scariest Things, Horror Fuel, and When It Was Cool. He is a co-host of the "Decades of Horror: The Classic Era" and "Uphill Both Ways" podcasts. Joseph has also written for “Scream” magazine, "Filmfax" magazine, “SQ Horror” magazine, and the websites That's Not Current an He occasionally proudly co-writes articles with his son Cohen Perry, who is a film critic in his own right. A former northern Californian and Oregonian, Joseph has been teaching, writing, and living in South Korea since 2008.
Film Festivals Gruesome Reviews Super Scary Shorts Saturday

[Review] Tingle Monsters (Final Girls Berlin Film Fest): No Safe Spaces, Online or Otherwise, for a Video Personality

Aficionados of the ASMR (Autonomous Sensory Meridian Response) trend  feel that they get a pleasant feeling, often a somewhat tickling or tingling sensation that runs from their scalps down the back of their necks, from listening to and watching videos on platforms such as YouTube in which people whisper or make noises such as chewing […]

Film Festivals Foreign Films Gruesome Reviews Super Scary Shorts Saturday

[Review] The Picture in the House (Das Bild im Haus; H.P. Lovecraft Film Festival): No Escape for a Hunted Man in Terrific Lovecraft Adaptation

The German film The Picture in the House (Das Bild im Haus) is director David Lapuch’s loose adaptation of H.P. Lovecraft’s short story of the same title. The dread sets in from the opening scene and never lets up, fittingly appropriate to the source material, adapted here by Lapuch and his screenplay cowriter Alexandra Rollett. […]

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MidWest WeirdFest First Wave Announcement Features Cryptids and Creepiness Galore

MidWest WeirdFest— a cinematic celebration of all things fantastic, frightening, paranormal, and just plain weird — has announced its first programming wave for 2020. The fourth annual installment of the festival takes place March 6–8, 2020 at the Micon Downtown Cinema in Eau Claire, Wisconsin. “MidWest WeirdFest is back with the type of cutting edge […]

Film Festivals Foreign Films Gruesome Reviews Super Scary Shorts Saturday

[Review] The Dead Ones (Horror-on-Sea Film Festival): A Driver Who Killed a Pedestrian Is Haunted by More than Just Guilt

Most seasoned fright-fare fans have usually seen their fair share of films about the dead haunting those who killed them, but director Stefan Georgiou’s U.K. supernatural horror short The Dead Ones adds a new spin on things. This unique approach and fine performances by its four cast members help make this short film a rousing […]

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Final Girls Berlin Film Festival Announces Its Marvelous 2020 Lineup

The fifth edition of Final Girls Berlin Film Festival takes place February 6–9, 2020 at City Kino Wedding, showcasing horror movies written, directed, and/or produced by women and nonbinary filmmakers. Festival codirector Eli Lewy calls this year’s festival edition the “most expansive and international yet, presenting a wide array of films by visionary filmmakers that represent […]

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[Review] Dead Air (Horror-on-Sea Film Festival): Comical Creature-Filled Nightmare at 20,000 Feet

Director Geoff Harmer’s U.K. horror comedy short Dead Air is a colorful, playful blast featuring evil creatures sensationally brought to cinematic life by puppetry and practical effects. Monster movie fans are sure to have a super time with this offering.  Female punk band Monster Kitten and their manager are onboard a plane to the final […]

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[Review] Furube (Another Hole in the Head Film Fest): Can Ancient Gods Protect When Aliens Invade Japan?

The Japanese short film Furube is a contemplative meditation on not forgetting old traditions and beliefs as modern “progress” marches on. It invokes different forms of the otherworldy: aliens from outer space and traditional gods of Japan who are believed to protect the Earth and humans.  Shibata (Yujiro Taguchi) is spending a peaceful day in […]

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[Review] Blackwater Holylight Expands Its Heavy Psych Rock Sound with “Veils of Winter”

The sophomore album from Portland, Oregon’s  Blackwater Holylight, Veils of Winter (RidingEasy Records), is, like the quintet’s debut, a bewitching, mesmerizing effort that marvelously marries the earthy and the ethereal. Heavy guitar-rock influences from the 1960s and 1970s hard rock, psychedelic rock, progressive rock, and doom metal (think Black Sabbath and early Blue Oyster Cult […]

Film Festivals Gruesome Reviews Super Scary Shorts Saturday

[Review] Killer Date (Another Hole in the Head Film Fest): Can a Serial Murderer Find True Romance?

The dating world has never been easy, but Ed Larson is making it even tougher on some people: his murder victims. He is obsessed with serial killers — photos of whom adorn his bedroom walls — and with serial killing. Director Colton Tran’s horror–comedy short Killer Date takes a look at Ed’s methods and at […]

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Joseph Perry’s Top 10 Horror Films of 2019

The year 2019 continued this decade’s trend of providing top-notch fare for fear-fare and genre cinema fans. From supernatural shockers to arthouse horror to truly hilarious horror comedies and beyond, 2019 offered a wealth of riches, and narrowing my favorites down to 10 was no easy feat, but here we go! (10) Tie: The Lighthouse […]

Film Festivals Foreign Films Gruesome Reviews Super Scary Shorts Saturday

[Review] Burn (AHITHFF): First-rate Performances Drive Disturbing British Horror Short

Meet the Vaubarns, husband Peter (Max Cavenham) and expectant wife Louise (Emma Kelly), a British suburban couple at the center of the U.K. horror short Burn. They quibble over watching some gruesome news on the television and joke about washing the dishes. They seem to have a happy relationship and are thrilled at the prospect […]

Film Festivals Gruesome Reviews

[Review] Get Gone (AHITHFF): A Fresh Spin On the Urban Legend Horror Subgenre

A group of internet hoax busters goes on a team-building retreat to Whiskey Flats, Oregon, and winds up finding out the hard way that not all urban legends — or in this case, a very rural one — are ruses in the new horror outing Get Gone. Writer/director Michael Thomas Daniel’s first narrative feature is […]

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[Review] Devil Woman: Australian Horror Short Combines Terror with Endangered Wildlife Message

Writer/director Heidi Lee Douglas blends virus horror with an ecological message in her latest Australian short film, Devil Woman. The result is an engaging effort that both educates and entertains. Eddy (Marigold Pazar) is a university science student helping fellow ecology researchers Possum (Leith Alexander) and Alice (Flame Kimball) find proof that endangered Tasmanian devils […]

Film Festivals Foreign Films Gruesome Reviews

[Review] 8 (Another Hole in the Head Film Fest): Grief-Stricken Father Becomes a Faustian Pawn in Atmospheric South African Offering

One of the main draws about foreign horror films is that they often introduce viewers to new or unfamiliar mythologies, or unusual takes on familiar stories. This is certainly the case with the South African film 8, and viewers looking for something out of the ordinary in the supernatural vein should be quite pleased with […]

Film Festivals Foreign Films Gruesome Reviews Super Scary Shorts Saturday

[Review] New Woman (Blood in the Snow Film Festival): Canadian Gothic Horror Short Boasts an Entrancing Allure

The first film from Newfoundland selected in the history of Canada’s Blood in the Snow Film Festival, New Woman is a remarkable gothic horror short. It is absolutely drenched in atmosphere. The gorgeous exterior shots and wonderfully detailed interior shots belie the film’s modest budget, and the horror is of the classic, slow-reveal kind. In […]