Portland Horror Film Festival Reveals Its Tantalizing Virtual Edition Lineup

A pandemic can’t keep a good film festival down, as film aficionados have seen in recent weeks. Portland Horror Film Festival, the Pacific Northwest’s premiere horror genre film festival, is joining the new trend of film fests going virtual this year. 

Horror fans can dive into a terror-filled smorgasbord of more than 60 short and feature films during the 6-night event, beginning June 10th with the first shorts block and a preview of the festival’s upcoming features. The terror continues June 17–21 with more shorts and feature films from around the world. As a selection and awards judge on the fest’s film jury, I can vouch first-hand for the high quality of scare fare on tap for this outing.

Following is the official press release from Portland Horror Film Festival:

In the midst of this pandemic, some businesses are finally starting to re-open, but there is no way to know when theaters in Portland, Oregon, will finally open, and how many people will be allowed inside once they do. Many events have had to postpone again and again due to this uncertain timeline.

Making Monsters

Festival Directors Brian and Gwen Callahan believe the right thing to do is follow the lead of amazing festivals like Fantasia and Chattanooga Film Festival, and present Portland Horror Film Festival as a dynamic streaming event for horror fans all over the United States. Although going virtual creates challenges for the festival, independent filmmakers, and distributors, the directors believe it is important to continue to evangelize independent film and show the year’s best horror films to the community. Rather than cancel or postpone the festival until things are “safe,” which only increases the stress and uncertainty of these times, going forward with a streaming event offers important relief and a sense of stability to horror fans who are stuck at home. Beyond helping horror filmmakers and fans, ticket sales will also benefit the historic nonprofit Hollywood Theatre, the seat of independent cinema in Portland, which is currently closed because of the pandemic.

All films will be integrated into carefully curated nightly shows and securely streamed during limited event hours for ticketed audience members. Because a film festival is more than just watching movies, nightly programming will feature both pre-recorded and live content, including film introductions, interviews with horror icons, and live filmmaker Q&As that the audience can take part in. “Our goal is to foster the sense of community that makes our fest so magical, with a fun and eventful stage and screen show… just on a virtual stage,” said Brian Callahan.

Little Willy

This year’s feature film lineup opens on Wednesday, June 17th with Wild Boar, starring Augie Duke and Daniel Roebuck as geocachers who quest for a legendary treasure, only to end up as fodder for mutant pig-men. Wild Boar was written and directed by Oscar winner Barney Burman, known for his makeup effects on JJ Abrams’s Star Trek, Zombieland: Double Tap, and the TV series Grimm. Thursday’s double feature kicks off with Sunset on the River Styx, a surrealist and contemplative story of two lovers who fall into a vampire death cult, from writer/director Aaron Pagniano, winner of the Funny Bone Award for last year’s horror comedy short We Got a Monkey’s Paw. Come for the vampires, but stay for the zombies! Witness Infection is a hilarious tale of mobsters and zombies directed by Andy Palmer, written by Carlos Alazraqui (Reno 911) and Jill-Michele Meleán (MadTV, Reno 911), who star alongside Robert Belushi, Vince DonVito, Erinn Hayes (Children’s Hospital), and Tara Strong (Rick and Morty). Don’t miss fan-favorite Justin Harding’s Making Monsters; The Curse of Valburga from Slovenia, with its hilarious splatterfest of international tourist stereotypes and jaw dropping kill scenes; Uncle Peckerhead with its punk-rock demon action, written and directed by Matthew John Lawrence, winner of the 2016 Funny Bone Award for his horror comedy short Larry Gone Demon, and the world premiere of The Brain That Wouldn’t Die, a crowdfunded love letter to the 1962 B-movie, filmed here in Portland.

Short film offerings include a wide variety of seriously terrifying, thoughtful, funny, and weird films from all over the world, including the Czech Republic, Russia, Poland, Italy, Portugal, Iran, The Netherlands, France, Spain, Canada, the United Kingdom, and the United States. Fans of the bizarre will want to tune in Saturday night for the “Shorts Gone Wild” block of the most unhinged films on offer.

Even if you’re not in Portland, you can immerse yourself in the experience with a Deluxe Patron of Horror Ticket Package that includes an exclusive t-shirt, souvenir lanyard, and a Portland Horror Face Mask, so you can forage for toilet paper in style!

For more information on tickets, deluxe packages, and the festival, visit https://portlandhorrorfilmfestival.com/

You can join the Facebook Event at https://www.facebook.com/events/2774301782590900/

Joseph Perry
Joseph Perry fell in love with horror films as a preschooler when he first saw the Gill-Man swim across the TV screen in "The Creature from The Black Lagoon" and Mothra battle Godzilla in "Godzilla Vs. The Thing.” His education in fright fare continued with TV series such as "The Twilight Zone" and "Outer Limits," along with legendary northern California horror host Bob Wilkins’ "Creature Features." His love for silver age and golden age comic books, including horror titles from Gold Key, Dell, and Marvel started around age 5.

He is a contributing writer for the "Phantom of the Movies VideoScope" and “Drive-In Asylum” print magazines and the websites Horror Fuel, Diabolique Magazine, The Scariest Things, B&S About Movies, and When It Was Cool. He is a co-host of the "Uphill Both Ways" pop culture nostalgia podcast and also writes for its website. Joseph occasionally proudly co-writes articles with his son Cohen Perry, who is a film critic in his own right.

A former northern Californian and Oregonian, Joseph has been teaching, writing, and living in South Korea since 2008.