“Sometimes I have wondered whether life wouldn’t be much more amusing if we were all devils, no nonsense about angels and being good.” The Decades of Horror: The Classic Era crew — Chad Hunt, Jeff Mohr and Erin Miskell — are missing their fourth member, Joseph Perry, this week. Filling in for him is fellow Horror News Radio (and Decades of Horror: the 1980s and Decades of Horror: the 1990s) host Thomas Mariani, as we discuss the 1935 gem Bride of Frankenstein.
Decades of Horror: The Classic Era
Episode 14 — Bride of Frankenstein (1935)
After a mob attack upon himself and his creation, Dr. Henry Frankenstein (Colin Clive) is approached by former mentor Dr. Pretorius (Ernest Thesiger) to create a mate (Elsa Lanchester) for his Monster (Boris Karloff). The Monster, meanwhile, continues to elude angry townsfolk who want to destroy him before they get to know him.
A classic of the early horror era, Bride of Frankenstein features iconic performances by both Boris Karloff and Elsa Lanchester. Director James Whale — the same director that brought us Universal’s 1931 hit Frankenstein — returns to offer a continuation of a story of acceptance, loneliness, and creation.
Join our intrepid hosts and guest as we discuss our thoughts on Whale — the man, the myth and the legend — and the direction he decided to go with the sequel to his hit film. We also tackle the censorship issues encountered during the making of Bride of Frankenstein, as well as favorite characters and themes of loneliness, companionship, and morality. This episode’s Grue Crew also expresses their admiration for the score (Franz Waxman), photography (John J.Mescall), makeup (Jack P. Pierce), fantastic supporting cast (Una O’Connor, E.E. Clive, Dwight Frye, O.P. Heggie) and soon-to-be-famous bit players (Walter Brennan, John Carradine).
We plan to release a new episode every other week. Our upcoming and very flexible schedule includes Night of the Living Dead (1968), JÃ» jin yuki otoko (the original 1955 Japanese version, aka Half Human), and House on Haunted Hill (1959).
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