[Review] MEN (2022, A24) A Deliciously Divisive Masterpiece

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[Exclusive Column] SCARRED FOR LIFE – Tony Timpone

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[Review] TORN HEARTS (2022, Epix/Blumhouse) Katey Sagal & Brea Grant Craft a Gruesome Hit

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[Review] THE FOUND FOOTAGE PHENOMENON (2022, SHUDDER) – Shaky Cam 101

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[Film Review] FIRESTARTER-2022 – Dave’s Take

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[Review] FIRESTARTER (2022, Universal) Botched King Remake Lacks Heart and Character

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[Review] NIGHT CALLER slashes its way to success with suspense and violence

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[Review] HOMEBOUND (2022) A Spooky Mystery in Search of a Satisfying Conclusion

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[Review] THE SADNESS (2022, SHUDDER) Graphic, Gory, and Gruesome: Yup, A Top 10!

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[Review] MONSTROUS (2022) Wonderous Set Design, Ambitious Direction, and Marvelous Ricci for the Win

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Joel Hoekstra, Michael Sweet, And Friends Create A Sound That Is ICONIC – Check Out The Supergroups Two Singles – NOWHERE TO RUN And FAST AS YOU CAN

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[Trailer] David Cronenberg Returns To His Body Horror Roots In CRIMES OF THE FUTURE

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[Trailer] Full Moon Unleashes The ATTACK OF THE 50 FOOT CAM-GIRL

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[Trailer] Practical Effects And Loud Growls Abound In The Trailer Debut For THE BEAST COMES AT MIDNIGHT

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Overlook Film Festival Brings a Full Slate of Monsters, Mysteries, and Murderers to New Orleans

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How Can You Not Look Forward To A Film Titled COCAINE BEAR

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[Trailer] The Shark Is Big And Hungry In The Trailer Debut For SHARK BAIT

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The Chattanooga Film Festival Announces the First Wave of Its Virtual Lineup

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Amazon’s Space Portal Thriller NIGHT SKY Gets A Trailer

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And Just Like That – I’m 10 Years Old Again – The Trailer For SHIN ULTRAMAN Will Take You Back To The Good Ole Days

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The Latest Promo For NOPE Has Steph Curry Missing A Shot

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SLASH ½ Film Festival Once Again Paints Vienna’s Filmcasino Red

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