With a name like Creature Feature, you might assume you’re in for a pastiche of a late-night, Saturday horror movie, complete with a local cast introducing that night’s feature and performing mini-skits during commercial breaks. At least that was my presumption. However, what the viewer gets is an anthology film straight out of EC Comics with similarities to Creepshow (1982) with a twist. As in Creepshow, comic book panels are used as segues into each story and transitions between some scenes within a story. In this case, the comic book in question is titled Creature Feature and makes multiple appearances in the movie, both lying on furniture within a scene and as a transitional device. But the filmmakers are not content with this one technique to transition between segments. The stories are also tied together by a group of attendees at a Halloween party trying to outdo each other by telling scarier and scarier stories. The aforementioned twist is that all of the segments turn out to be fragments of one, somewhat disjointed, overarching story told in a Pulp Fiction, non-linear style.
Written and directed by Chase Smith, Creature Feature begins with a short introductory piece derivative of Ignacio F. RodÃ³’s one-minute short, Tuck Me In (2014). In this case, a father, played by Smith, is asked by his young son to check for monsters under the bed. This short is a little longer than Tuck Me In and takes the conclusion an unnecessary half-step farther in a predictable postscript.
Next we move to Cola (Becca Beton) and Tucker (Michael Maponga) rolling up to the Halloween party with an announcer on the car radio explaining how a dense fog is prohibiting law enforcement from searching for the suspect in a quadruple homicide and warning everyone to stay inside until the fog lifts. The pair meet up with their friend Jackson (Lance Paul) and after entering the party, the trio soon gravitate to Anna (Giana Alexis Cambria), Becca (Niki Edwards), and Mandy (Cameron Gagne) who are alone on one side of the room, dressed in sex-exuding, school girl costumes. After the three women reveal that they have been telling ghost stories full of monsters, demons, and sex, Tucker, Jackson, and later Cola try to outdo each other and impress them with their own tales.
First, Jackson tells the story of a babysitter’s encounter with a clown statue. The parting warning given by the father (Jason Vail) to the family’s babysitter, Rachel (Christina Klein), is that lately, his kids have been having nightmares about a clown in their bedroom, so please don’t let them watch any scary movies. Shortly after the parents leave, the kids go right to their bedroom to watch a scary movie of course, and Rachel notices a life-sized clown statue in the corner of the living room. It’s no wonder they’re having nightmares about clowns, she thinks. Later, after her boyfriend (Austin Freeman) comes and departs, she calls the kids’ father to tell him the clown statue is giving her the creeps and to ask if she can cover it up. He receives her phone call just as he is taking care of some business. Angry with the interruption, he informs her that there’s no clown statue in his house and hangs up. From there on, things do not go well for Rachel.
In sequence, we are then treated to stories about six members of a family performing a satanic ritual to give thanks to Samhain for the riches they’ve received in return for sacrificing their father/father-in-law; a connection between the lost Roanoke colony/Croatoan legend, Spring-heeled Jack (Jason Vail), Halloween, three witches, and the fog; a possessed scarecrow terrorizing two couples in a cabin; a psychopath beginning to defile and disfigure a bound woman but instead receiving his just deserts at the hand of a kindred spirit; and a younger couple who are enticed to bring back some proof that they’ve entered the haunted house of the murderer, old man Chaney (Allen O’Reilly), in return for a ride. In a final segment, all the individual stories wrapped up and tied together with great big bow.
Throughout the movie, characters appear in multiple, interconnected story segments that eventually coalesce into one overarching, multifaceted tale that does indeed contain monsters, demons, sex, and more sex. Throw in copious amounts of blood and Creature Feature has a definite Grand Guignol feel to it. There are clues interspersed in the different segments that foretell the manner in which the stories are tied together, but it is only in hindsight that I understood their significance.
The practical effects are a big plus in Creature Feature and thankfully there are no buckets of CGI blood. There’s nothing fancy here, but it is effective. There’s a few places where the viewer glimpses the man behind the curtain, or in this case, a creature’s makeup or mask. However, for the most part, these glimpses do not detract from the film. The one exception is the makeup for Spring-heeled Jack. In particular, his sideburns are off-putting and I found myself staring at them to distraction, rather than following the story developments.
The actors, as a whole, do a fine job. One of the highpoints is Michael Steigler, who plays the clown. At first sight, the clown is rather mundane and unimpressive, but a later incarnation is genuinely scary and his laugh is positively hair raising.
The soundtrack is also a big plus. Much of the music is delivered by Fatcastor, the band at the Halloween party that doubles as the background for the telling of the ghost stories. Add a couple songs from Rusted Soul and an appropriately placed blues tune by Mark Cook and you have a very nice soundtrack that adds to the atmosphere and feel of the movie.
Creature Feature’s biggest distraction is the patchwork nature of how the story is pieced together, clouding the continuity. There is a coherent story that ties all the pieces together, but it’s difficult to grasp. There’s one line in particular that explains a lot of the reasoning behind the goings on but it’s easy to miss. There’s also the boy in the short opening segment who’s billed as Young Jackson. Given what takes place in the opening segment, an explanation of how adult Jackson actually became an adult would be welcome. As is, the opening segment just sort of sits there with no apparent connection to the rest of the story.
All in all, even though some of the trappings of a low budget, independent movie are present, Creature Feature delivers and does indeed feature many creatures. It’s unquestionably a fun watch. I give it 3 out of 5 stars. But that’s just me.
Creature Feature: (3 / 5)