Doc Rotten
Doc Rotten is the founder of Gruesome Magazine. He is also a film critic for Gruesome Magazine and the podcast host & producer for Horror News Radio, Monster Movie Podcast, Decades of Horror: 1970s, The American Horror Story Fan Podcast and Hannibal Fan Podcast. He is also co-host of the Dracula podcast on TV TALK and is a contributing reviewer for HorrorNews.Net and Widescreen Warrior.
Doc a lifelong fan of horror films, sci-fi flicks and monster movies first discovering Universal Monsters and Planet of the Apes as a young child in the 1970's searching out every issue of Famous Monster of Filmland (and, later, Fangoria). Favorite films include Jaws, The Car, The Birds, The Tingler, Vampire Circus and The Exorcist. Still a huge fan of horror films from the 70s, Doc continues consuming horror films to this day for the site, for the podcasts and for the fun of it all.
http://www.docrotten.comRelated Articles
“Murder in the Dark” (2013): Improvised Dialog and Splendid Locales Make for a Unique Horror Experiment
Posted on Author TJ Fowler
What Hostel did to the perceptions of backpackers traveling to Europe to stay in hostels, Murder in the Dark will do to the perceptions of tourists traveling alone to abandoned castles in European countrysides. As I watched Murder in the Dark I was in awe of the beautiful landscape and the magnificent castle most of […]
“Fury of the Demon” (2016): Silent Films, Special Effects, and Spiritualism Highlight History of a Cursed Film
Posted on Author Joseph Perry
Imagine an allegedly cursed film that drives its viewers to madness, inciting them to violence and causing numerous deaths and injuries. Writer/director Fabien Delage takes a documentary approach in his film Fury of the Demon (originally titled La Rage du Demon in French) to examine the story behind just such a motion picture. This film […]
“Gods of Egypt” (2016): A Silly Stupid Fantasy Adventure, Fun for All the Wrong Reasons
Posted on Author Doc Rotten
Gods of Egypt is a lot of things, most of them not very flattering. It is clumsy, bloated, silly and foolish. It is poorly cast and heavily dependent upon an over abundance of CGI. Yet somehow, if allowed a certain frame of mind, it is also stupid fun. The film is basically a cross between […]